Wondrous Stories


This site is still not nearly as ‘done’ as I would like, and as a result, for the next few days, lots of stuff’s gonna get poked and prodded. That will include adding pages for the two new ideas I decided to throw into the mix at the 11th hour on New Year’s Eve, and are already looking like the best ones I’ve had for quite some time. Both are completely autonomous too: they rely on a regular scheduled post, and the ability to organise myself once a week for the next fifty-one.

#Narrating2018 is the more esoteric of the two ideas: taking random memories from my past and recalling them in the present, then using that inspiration as a basis for more content and reflection. This month, that means colour documentaries from the 1950’s to the 1970’s, uploaded by a disparate bunch of individuals to You Tube for posterity. It is memory preservation without the often annoying subtext/soundtrack that modern YT content creators think is funny or relevant. I like my past untainted, so it can be judged objectively.

Then there’s the #indy31 which forms a larger part of #Soundtracking2018: a year’s worth of music that matters to me, on a month by month basis. I’ll be sorting out my You Tube channel next week in anticipation of actual usage, where these songs can go as fully formed playlists, plus some written accompaniment as context. It is all very simple: other people have done the work, I’m just curating the results. It is one of my skills, which should be used to the fullest potential possible.

Soundtracking 2018

All these things are a part of my life I live with a passion, but have never really taken the time to share with other people. It seems sometimes like too much effort to do so, when in reality the only real problem is being willing to share. In a world where so many people have lost the basic ability to both accommodate others and embrace their differences, it is high time I left my prejudices at the door and celebrated things just for what they are and not what others tell me to believe. More importantly however, my own, often dangerous inability to think outside the box I live in has the capacity to serve as a real hindrance. If I can show willing to step outside my comfort zones, then maybe this will encourage others to follow suit.


The proof of all this will, undoubtedly be in the consumption. Time to shut up talking a good game, and start playing it.

Communication Breakdown


Those of you paying attention will know that yesterday was my 51st Birthday. These events are often odd affairs: I can remember my 40th as one of the darkest periods of my life, whilst a decade on I was in Paris, with my family and staying in the fanciest Hotel I’d ever experienced. As human beings, we tend to put a lot of emphasis on these celebrations, and it is only this year that I’ve begun to understand why that is. Those revelations will undoubtedly serve as personal blogging fodder for several days: for now, I wanted to spend some time explaining how a very particular group of people have influenced my journey to this point.

You see, without exception, it is those who take time to be critical whom I respect the most.


Being positive is, for a writer, often the coward’s way out. I can remember moments when asked to critique other people’s works, I’ve struggled to find anything positive to say. In those cases, the compliment sandwich becomes a difficult meal to make. You know how this works: two positives that act as the bread to a filling where you get to lay bare all the bad stuff. Except sometimes, there is only filling. As a society, we are now pushed to be positive for a lot of very good, noble and totally correct reasons. There are extremely sound foundations for encouraging this behaviour… except when your sandwich is sans filling…

It is a balancing act I’ve always found hard to maintain because I was made a blunt instrument. I’ve had to learn to communicate a balance, and over the years on my three blogs you can, if you take the time, watch this evolution take place. There will be days when I continue to say ‘fuck you’ to various sections of the establishment, and that remains the case because there is the realisation that these people just don’t listen regardless. If your idea of criticism is the passive-aggressive format that at least one of my stalkers took in an attempt to try and make me feel guilty for ostracising him? I can see the difference now. That ploy’s not going to work anymore.


With everybody else, I can find a working relationship. Language differences do not matter: I can Google translate now if required (and I do when the need is there) and honestly if the willing exists on both sides, everybody wins. The best criticism I get, consistently, is that which simply holds a mirror up to my own failings without fear. It happens far more than most might realise too: the exchanges via Social media, realisations that are highlighted by (often) the most unexpected of people. The number of individuals who still DM me when typos turn up in posts is a true joy and is never going to get old. It isn’t pedantry, but a physical manifestation of care, and I will forever remain grateful.

Being online is becoming less dangerous with each passing day as a result. Those who are annoyed enough to block me from their lives have done their job in teaching the lessons around how sometimes, however hard you try, people will just hate what you are regardless. Occasionally those blocks, however, are for sanity, and the understanding that someone isn’t listening to anyone but themselves. For the people who really matter you just mute and allow them the chance to vent, because they give you that respect in your space to do the exact same thing. Having taken all my Twitter mutes off this morning after a period where I just needed to breathe (metaphorically speaking) there a readiness to engage again.


Writing isn’t just an exercise in self-satisfaction, despite what some authors might say to the contrary. It is as much about being able to grasp and accept the critical responses of others as it is being able to do the same to them. I am happy to be edited, which was once not the case but only to a point. If I feel someone’s suggesting the removal of a point I feel is crucial to an argument or a narrative, it will stay intact. If someone sees the World in a differing way to me that is absolutely fine (and I can respect this) but not at the expense of my own view or indeed feelings on the matter. If it is obvious someone is not prepared to compromise… then you walk on. With too much else to do, some fights are simply not worth your time.

However, I listen to all the criticism I get. Good and bad, positive and negative, I have found the means to assimilate it all. That is something I know many people just can’t do, but for me, it has become as much of the process as the writing itself. I have been forged in the heat of decades of pitched Internet abuse, attacked by trolls and fools as well as finding some of the best and most brilliant friends a girl could ever ask for in her journey to enlightenment. Sometimes, you take it all because there’s the understanding that on some days, you get nothing at all.

This is what I have become, and it is glorious.

#ThinkTober Week Three

Week Three of the Haiku project ended up as something of an experiment in different canvases. Some worked, others didn’t, but overall I learnt a great deal about organising myself more effectively. Needless to say, all of this is useful information to take going forward in the weeks to come.

#ThinkTober 31 Haiku from #inktober2017 @inktober prompts. Day 15: No Fate.

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One of the most significant changes will be that if I use myself as a canvas, I’ll need to get somebody else to take the pictures. This picture is a bit more blurry than I would like: had I been better organised, a far more professional picture could have been taken. Also, fountain pen ink is by far the best thing I’ve found to write onto my skin. This won’t be the last time that happens, I’ll wager.

#ThinkTober: 31 Haiku from #inktober2017 @inktober Prompts: Day 16. Tattooed Lady

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Welcome to the green space outside my house: one of the trees here fell down a few years ago and crushed my car. This one, however, appears to be made of sturdier stuff and became my backdrop: I did think about writing on the bark, but am pretty certain that would qualify as vandalism. Card and BluTack had to do instead.

#ThinkTober: 31 Hauku from #inktober2017 @inktober quotes. Day 17: I, Wood.

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In the interests of full disclosure: this spider was not killed in order to make the Haiku happen. I found a long-dead spider corpse (with an already detached leg) to play a stunt squashed arachnid. I still need to put this unit together, now I come to think of it… ^^

#ThinkTober: 31 Haiku from @inktober #inktober2017 prompts. Day 18: Dead Legs.

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I need to make more use of custom card cutouts in the Christmas set of Haiku I’m planning. Hobby shops probably will be able to provide me with some festive shapes, and I’m smart enough to be able to design some of my own. There’s also the opportunity to print out my words and then place them against plainer backgrounds, which is an approach I’ve not utilised…

#ThinkTober: 31 Haiku from #inktober2017 @inktober prompts. Day 19: Look, in the Sky!

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This, of all the Haiku I’ve done, is my absolute favourite of all. It required me to have to write a poem only using the Scrabble letters and then finding a way to place them on the board where particular letters had to be duplicated. Okay, that’s not exactly how a game would work either, but you can’t have everything.

#ThinkTober: 31 Haiku from #inktober2017 @inktober prompts. Day 20: Score!

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Yes, I texted this one in because I was short for time.

I think it works regardless 😀

#ThinkTober: 31 Haiku from #inktober2017 @inktober prompts. Day 21: Instant Message…

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… and that is Week Three done. That leaves me another 10 days worth of Haiku to complete, which I’ll post as one complete post after the Project is finished. Many thanks for sticking with me thus far, and I look forward to seeing you for the last part of the journey.

Secret Messages


Before I leave the 1990’s behind for good, there is one story that is worth repeating. It’s not well known, and is the basis for a love affair with computing and the Internet which has failed to diminish over the last twenty years. It began on the back of unabashed fandom obsession for a TV show many people will never have heard of, but which is an important part of UK genre history. The year is 1995, and the TV show was BUGS.

This show was notable because it was created with input by Brian Clemens who was responsible for creating both The Avengers and The Professionals. It was, despite the now highly dated nature of the title sequence, pretty decent fare, and I have a fanfic written (almost complete) that covered my favourite period of the show. However, that was not all I was responsible for during that time period. For a brief and glorious two year period, I was Webmistress of the Official Website.


Bureau Two was my baby: the Wayback Machine has copies of the site still archived from 20 years ago, when I was responsible for upkeep and was being paid by the production company to do so. This was the first time an external website was linked to the BBC’s own architecture, making it pretty much unique, and I was immensely proud of the achievement. The date on this capture’s apposite too: six days before the debut of the show’s Season 4, which was cancelled as a result of the Omagh Bomb on the 15th, as the opening episode contained an explosion. The series never really recovered after that, and was quietly cancelled, after which I signed over intellectual property rights and handed the data to the production company for upkeep.

This was my first experience of ‘professional’ writing too, and I was pretty proud of it. I liaised with the production company, had an editor to sign off all the work, and did it all off my own back. It made me realise I was capable of better things than simply the job I was beginning to hate, and gave me a vital lifeline away from my normal routine. Personal circumstances however transpired to push me away from pursuing this full-time, and becoming pregnant pretty much put the brakes on everything that involved dealing with other people. However, it allowed my fiction to finally get a look in. With confidence in web design, I started a West Wing ‘Fansite’ whilst waiting for my son’s birth in 2000, and succumbed to the rapidly emerging online Cult of Fan Fiction.


We spoke about this last week, and you can read all the sordid details I’m prepared to admit there. On reflection, these were important times: using other people’s characters as a means to find my own voice has a fair deal of merit. I never made any money from them, nor would I wish to, but the lessons learnt concerning narrative structure really matter. More significantly, 2000 was when I began my first novel, which I pulled out this week after an absence of several months and again began to tinker with.

This time, however, it is going to be finished before the end of the year is out.

GSME #16 :: Fix You


As it transpires, I’m still not done with Social media faffing, and as this landscape is becoming increasingly significant in my understanding of the Internet generally, Tuesday will now be the day I return to this subject matter when warranted. For starters, it appears that Twitter’s analytics finally got fixed, and my effort to regenerate all corners of the social media presence is bearing fruit:


I made an important connection late last week, and with that on top of now using Twitter polls to generate engagement and discussion, I’m getting some really interesting feedback from my existing audience. By inviting new people to think more about WHY they play games, or act as they do on Social media, I hope that some of them may have a interest in the Internet of Words project, based on my ability to demonstrate logical thinking and a decent attitude in my ‘personal’ account. I should probably state for the record it is never my intention to exploit anybody except myself. I don’t invent drama to generate clicks, I’m not here to upset people and create controversy. More often than not, that happens without me needing to do anything at all.


The plan this last week has been simple: get people talking. Using monetary means to drive interest has not worked, buying follows and retweets doesn’t make people read my stuff. That means the next logical step is to ask people what does make them want to engage, and the Twitter polls are proving incredibly fruitful in that regard. However, that means having a good question to begin with, and being prepared to discuss the results without applying a bias to the outcome. This I can do well, it is one of my strengths, and two years worth of objective reporting on Warcraft suddenly stands me in good stead to do so.


However, I’d be a big fat liar if I didn’t look at my monthly Contest tweets and know this is why I’m continuing to make progress. People love free shit and this remains the best money I spend each month. There’s no point trying to deny that this method does give results, but this then 100% relies on me keeping that audience. It is not like buying followers: every person is a living, breathing, unique entity that requires me to engage them. My biggest issue since after my operation has been to do that. Now I have some traction and ideas to throw into the mix? I can work on increasing my 149 engagements. That’s nothing by the way, a pinprick when stuck net to the average viral tweet. I’m not about to become a Global superstar any time soon, and thank fuck for that.

Where I am right now and how things are going is suiting me just fine.

Coming Up


If you’re a Patreon, you’ll already know that it isn’t long now until the first of my Book of the Month content is available. What you won’t know is what else is being offered, quite apart from the special weekly poetry and micro-prose options. We mentioned participation via visual prompts yesterday: as one of my Patrons rightly pointed out, it doesn’t need to be a moving image that acts as a catalyst. With that in mind, lets lay out how the weeks will pan out going forward. I’m still working on graphics for these features (just me here as the one woman staff) and they’ll be added when complete.


Many people have asked me about how I write, why I do and the experiences that have shaped arrival at this point. Monday’s posts, for the foreseeable future, will present a rough autobiographical journey from my first inklings of being a storyteller to where we now stand.


Whatever crosses my mind, writers and writing in the News, general stream of consciousness gubbins… gonna be a pretty mixed bag on these two days. Might try some longer form poetry or chain up some prose in a rough sequence… we will see. This is the area where I’ll allow spontaneity to shine, and which will probably be written ‘live.’



Wednesday is Patreon Day, and that means a scheduled essay or piece of fiction, depending on what time of the month we’re in. To get more details of this, visit my Patreon page, and if you haven’t already, perhaps consider a pledge. However, there will be a second post on Wednesdays, which will pick up a word and consider how its definition has changed in recent years.


I’ve still not thought up a snappier title for this (working on it!) but Fridays will be when you can suggest images as prompts to next week’s poetry. This will also be the day when I keep you up to date with Novel developments and what I’m currently working on in terms of fictions generally.

I take the weekends off, as a rule, but that’s because there has to be some time to write for pleasure as well as business. You might get a post Saturday and Sunday from time to time, so we’ll pretend this is every day and say no more about it, ‘kay?

That’s the basic plan going forward, but I will review things again at the start of October. The key I have found to keeping things interesting is continuous reassessment, and I’ll be listening carefully to feedback and suggestions on every step of the way.

For now, however, this will do for starters

Pulp Fiction


Its been a while, my friends, since fiction was spoken about in these parts. It is not like I’ve lost the urge to tell stories, just that life has decided there were other, more pressing matters that needed to be considered first. Now they are out of the way, it is time to sit down and consider a way forward. There is, quite amazingly for me, a plan to boot.



First order of business is to get MMXCI complete and in a workable state to edit. You’d think after seventeen years I’d have cracked this, but a vital piece of narrative development only became apparent late last year. The plan is to try and have this finished by the end of July.

Once complete, I’d like to destroy it enough so it could be offered as a potential manuscript. It remains the best original narrative I’ve ever been able to create, and I’d like to make the most of that as a selling point.





Then, there is Chameleon, still incomplete after my start on it during NaNoWriMo last year. I’ve now rethought the plot and have significant reason to extensively rewrite what already exists. What is more likely to happen is that I’ll edit to the current finish point and then continue onwards to completion.

This I’m planning to do through August and September, leaving October to consider what will get the nod for NaNoWriMo 2017. I already have an idea on the table, in the planning stage…



After that, I’m going to use the Internet of Words as the means to write short stories better. The call has gone out this afternoon for beta readers, and if you’ve expressed an interest you can expect to see a story in your Inbox early in July.

However, that’s not all there is to it: join my Patreon and on Thursdays you’ll have a chance to contribute to the following Friday’s exclusive fiction content! If you don’t know about this already, click here to find out details of how to pledge.

If you’re interested in my storytelling abilities, and original fiction pieces going forward, then please feel free to follow this Blog.